The message 1976 who played the character of bilal
![the message 1976 who played the character of bilal the message 1976 who played the character of bilal](https://content.internetvideoarchive.com/content/hdphotos/11670/011670/011670_953x536_685884_099.jpg)
![the message 1976 who played the character of bilal the message 1976 who played the character of bilal](https://i0.wp.com/mvslim.com/wp-content/uploads/2016/08/pg-8-the-message-film-2.jpg)
Muhammad chooses peace for a moment, but still gets permission to attack. They are told that their possessions are being sold in Mecca on the market. They head north, where they receive a warm welcome in the city of Medina and build the first Islamic mosque. Some of these followers fled to Abyssinia to seek refuge with the protection given by the king there. As a result, more enemies will come and hunt Muhammad and his companions from Mecca and confiscate their possessions. Gradually, almost the entire city of Mecca begins to convert. The angel asks him to start and spread Islam. Muhammad is visited by the angel Gabriel, which shocks him deeply. The film was nominated for Best Original Score in the 50th Academy Awards, composed by Maurice Jarre, but lost the award to Star Wars (composed by John Williams).
![the message 1976 who played the character of bilal the message 1976 who played the character of bilal](https://m.media-amazon.com/images/M/MV5BNzgwODAwZTItYTE4Yi00OWQ0LTkwYzItM2E0NDA4OGIzMmExXkEyXkFqcGdeQXVyNDc3NDQzMzU@._V1_.jpg)
It was an international co-production between Lebanon, Kuwait, Libya, Morocco, Saudi Arabia, and the United Kingdom. The international ensemble cast includes Anthony Quinn, Irene Papas, Michael Ansara, Johnny Sekka, Michael Forest, André Morell, Garrick Hagon, Damien Thomas, and Martin Benson. Released in both separately-filmed Arabic and English-language versions, The Message serves as an introduction to early Islamic history. The Message (Arabic: الرسالة Ar-Risālah originally known as Mohammad, Messenger of God) is a 1976 epic historical drama film directed and produced by Moustapha Akkad, chronicling the life and times of the Islamic prophet Muhammad through the perspective of his uncle Hamza ibn Abdul-Muttalib and adopted son Zayd ibn Harithah. The rest of this information is ruthlessly cribbed from the wikipedia article.: It really is a very good film indeed, nominated for at least one Oscar, so it came to be respected as a film in its own right, let alone a religious one. It stirs the mind into understanding, and inspires one to reflect further on how our religion edged and inched forward, from the first moments that Jibaa’eel (Gabriel) appeared to our prophet PBUH as he meditated in the cave of Hira. To those of you who have never seen it, I envy you. A few hours were happily spent watching it a again. In this time when so many of us are locked down due to the importance of restricting contact, I am only too pleased to remember how much I loved this film, and that it can be found online. I knew as a kid that Islam frowned upon making images, and we have all learned to accommodate a degree of quiet guilt when we watch films or similar things however, we have also come to learn that when it comes to promoting our understanding of Islam, powerful stories and useful educational media are incredibly good value for the impact they have.